Glossator 11 (2016): Marianne Moore – CFP



Marianne Moore’s indictment of her own craft remains to this day a shrewd affront to critical exegesis. Piqued by ‘the immovable critic’, she treads a fine line in ‘Poetry’ between approbation and displeasure, a feeling entangled in the confession that ‘we do not admire what / we cannot understand’. Notwithstanding her penchant for axioms of this sort, Moore inclines elsewhere to a mode of expression that is dense, riddling and allusive; a poetics fit for sustained ‘inspection’, perhaps, but one whose fluid textual condition also resists ‘high sounding interpretation’. Given Moore’s tendency to revise published material – shuffling, redacting, reworking, restoring – it has often been difficult to say what ‘all this fiddle’ amounts to.

In taking Moore’s doubts about interpretation seriously, this special issue of Glossator proposes a broad approach to her verse and the stylistics of commentary. Glossing, annotating, doodling, and footnoting – Moore was always sensitive to…

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The Shape of Song

CFP: The Shape of Song:
A Conference on Lyric Poetry

7 July 2012
Faculty of English
University of Cambridge
Cambridge, UK

Opening Plenary: John Wilkinson (University of Chicago, USA)
Closing Plenary: Jonathan Culler (Cornell University, USA)

There is little consensus as to what the lyric poem is or does. It has become shorthand for non-long poems, for short poems concerned with voice and feeling, for poems that address a readership, for poems which are musical, for poems based on ballads, hymns, jingles, tunes, song, and hip hop, for poems in which a tacit or explicit ‘I’ speaks to no one in particular. These problems of definition are inseparable from more general issues concerning the verbal work of art: what are its extra-linguistic, illocutionary and perlocutionary features, and how is it made? Furthermore, what is the relationship between lyric and metricality? between lyric and subjectivity? Is lyric a mode of thinking? How does lyric address authority and the discourses which underwrite power? What is the relation between lyric and capital?

The study of lyric remains in a significant position at the disciplinary junction of historical poetics, versification studies, musicology, linguistics, aesthetics, and social theory. We envision this conference to be a multi-disciplinary forum through which scholars from various disciplines—English and Comparative Literature, Classics, Musicology, Linguistics, Philosophy among them—address the theoretical, historical, and social dimensions of lyric. We invite papers that conceptualize ‘lyric’, as well as papers which take a specific text or historical focus. We welcome interdisciplinary approaches which consider lyric’s relationship to music, visual art, drama, dance, and performance.

Papers should be 20 minutes in duration.
Poetry readings will follow the conference proceedings.

Please send paper proposals of no more than 250 words to Ryan Dobran at shapeofsong [at] gmail [dot] com before 15 February 2012.

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